GRUSELKABINETT - 50 - Das Gespenst von Canterville
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VÖ: 18.03.11
(Lübbe Audio)
Homepage:
www.titania-medien.de
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Klapptext:
Oscar Wildes berühmte Geschichte über die amerikanische Familie Otis, die in dem von ihnen erworbenen englischen Schloss Canterville die Bekanntschaft eines Gespenstes macht, in einer Star-gespickten brandneuen Hörspiel-Version, die gruselige Akzente zu setzen weiß.
Sprecher:
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Wieder feiert das Gruselkabinett ein rundes, ja beachtliches Jubiläum. Mit Das Gespenst von Canterville schlägt allerdings keine wirklich starke Folge 50 in der Reihe ein. Gemäß der literarischen Vorlage schon einer Tragikomödie gleich, plagt sich der altehrwürdige, englische Schlossgeist Sir Simon de Canterville mit seinen neuen Schlossbesitzern, der amerikanischen Familie Otis, denen nichts heilig ist und in deren Vokabular das Wort Rücksicht non existent ist. Wirklich stimmungsvolle Szenen vermag man dieses mal seltener einzufangen, diese verpackt man aber gut und wirkungsvoll. Der pralle, oft sehr heitere Cast aus formidablen Sprechern besticht hier bis hinunter zu den Kinderrollen. Keine Ausfälle und frische neue Stimmen verwöhnen das Ohr in gewohnter Titania Manier. Musikalisch sparsam aber häufig sehr beschwingt und heiter weiß man die Zeit, in der die Geschichte spielt ,mit nett gewählten Klängen aufleben zu lassen. Gleiches lässt sich über die sonstige Sounduntermalung sagen: dezente und eher getragene Geräuschkulissen sorgen für Flair. Dabei immer natürlich und darauf bedacht, Stimmungen zu erzeugen. So ist und bleibt einzig der Inhalt ganz einfach Geschmackssache: Die von Tragik durchwirkte Figur des Schlossgeistes, der schließlich durch den einzigen guten Menschen der Familie Otis Erlösung findet. Von der Inszenierung stark, ist es doch die Story an sich, die gegen Ende zudem immer vorhersehbarer wird und die mich über weite Strecken nicht so richtig fesseln kann. Der Vergleich, Hui Buh für Erwachsene, ersinnt sich bereits in der Mitte dieses Tragik Hörspieles und kann diesen fortan nicht mehr beiseite wischen.
Fazit: Solide und technisch gute Titania Regiearbeit. Die Story indes überzeugt mich eher weniger, was aber sicher Geschmackssache ist, da sie der Literaturvorlage folgt, die ja irgendwo vorgegeben ist. Für ein Jubiläum eher schwach.